Andy Warhol

Flowers (Black & White)

Screenprint on Arches paper or J. Green paper.
1974
40.875″ x 27.25″
Edition of 100 signed and numbered in pencil on verso, initialled in pencil lower right.
Portfolio of 10 screenprints on Arches paper and J. Green paper. Some portfolios are assembled with both types of paper.
Printer: Alexander Heinrici, New York
Publisher: Peter M. Brant, Castelli Graphics and Multiples, Inc., New York

Andy Warhol – Edition Prints – Flowers (Black & White)

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Andy Warhol Flowers (Black & White) is a range of artworks created by artist Andy Warhol.

Warhol began work on his Flowers series in the summer of 1964, soon deciding that it would be the focus for his first show with Leo Castelli in the fall of that year. For the Castelli show, he worked on 48- and 24-inch square canvases. For his following show, at the Sonnabend Gallery in Paris in the spring of 1965, he included additional sizes – 14-, 8-, and 5-inch squares. The square format allowed Warhol complete freedom with orientation. For the first time, his works had no fixed upright, allowing the Flowers to be installed in a variety of ways. Another unique aspect to this series is the different techniques and media he explored, including silkscreen, pencil, hand painted acrylics, and fluorescent Day-Glo paint.

When Andy Warhol first burst onto the artistic stage in the 1960s’, he did so by incorporating images that were firmly embedded in the American psyche. His bright and colorful paintings and serigraphs presented images that were commonplace — a soup can or coke bottle — but were transformed by his technique into artistic icons of popular culture. Warhol was most interested in image and not reality, although one could say that by casting these mass produced commercial images in his own unique style, Warhol was making a comment on the reality of living in a world that was dominated by images from the advertising and entertainment industries. Warhol’s prints are in essence images of images. They are at least once removed, and often several times removed, from reality. His famous prints of Marilyn Monroe and Jackie Kennedy, not to mention countless other celebrities, are based on photographs. As in the case with Marilyn Monroe, many of those photographs are of his subjects posing as a character, not as themselves, a subtle reminder that once someone achieves a certain celebrity status, they become further and further removed from their real selves. How many layers must one remove to finally see the real person depicted in a Warhol print?