Andy Warhol

Myths

Screenprint on Lenox Museum Board.
1981
38″ x 38″
Edition of 200, 30 AP, 5 PP, 5 EP, 4 HC, signed and numberd in pencil lower left. There are 30 TP signed and numbered in pencil lower left; regular edition have diamond dust; most TP have diamond dust.
Portfolio of ten screenprints.
Printer: Rupert Jasen Smith, New York
Publisher: Ronald Feldman Fine Arts, Inc., New York

Andy Warhol – Edition Prints – Myths

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Andy Warhol Myths are rare range of artworks created by artist Andy Warhol.

From the 1960s on, Andy Warhol exhibited an unerring sense for the powerful motifs of his time – contemporary images that capture the modern imagination as completely as the gods and goddesses of ancient mythology once did. In Myths, Warhol’s 1981 portfolio of 10 screenprints, he was referring not to remote civilizations, but to the beginnings of the cinema and the imaginary characters loved and recognized by millions all over the world. Most images in Warhol’s Myths series are taken from old Hollywood films or 1950s television and portray the universal view of America’s once enchanted and powerful past. Included in the series are characters loved by children such as Mickey Mouse, Howdy Doody, and Santa Claus, as well as fictional figures like Dracula, The Wicked Witch of the West, and Uncle Sam.

When Andy Warhol first burst onto the artistic stage in the 1960s’, he did so by incorporating images that were firmly embedded in the American psyche. His bright and colorful paintings and serigraphs presented images that were commonplace — a soup can or coke bottle — but were transformed by his technique into artistic icons of popular culture. Warhol was most interested in image and not reality, although one could say that by casting these mass produced commercial images in his own unique style, Warhol was making a comment on the reality of living in a world that was dominated by images from the advertising and entertainment industries. Warhol’s prints are in essence images of images. They are at least once removed, and often several times removed, from reality. His famous prints of Marilyn Monroe and Jackie Kennedy, not to mention countless other celebrities, are based on photographs. As in the case with Marilyn Monroe, many of those photographs are of his subjects posing as a character, not as themselves, a subtle reminder that once someone achieves a certain celebrity status, they become further and further removed from their real selves. How many layers must one remove to finally see the real person depicted in a Warhol print?