- Shoes | FS-II.253
- Shoes | FS-II.254
- Shoes | FS-II.255
- Shoes | FS-II.256
- Shoes | FS-II.257
Andy Warhol
Shoes
Screenprint with diamond dust on D’Arches Watercolor (Cold Press).
1980
40.25″ x 59.5″
Edition of 60, 10 AP, 2 PP, signed and numbered in pencil on verso.
Portfolio of 5 screenprints with diamond dust.
Printer: Rupert Jasen Smith, New York
Publisher: Andy Warhol, New York
Andy Warhol – Edition Prints – Shoes
Sell/Buy Request Info
Andy Warhol Shoes is a range of artworks created by artist Andy Warhol.
Shoes, Shoes, Shoes collects the outrageous and bedazzling images of shoes – from spikes to boots to mules – that are some of Warhol’s icon images. Accompanied throughout by witty Warhol quotations, such as “I decided that being a shoe salesman is a really sexy job,” these forty drawings, prints, and watercolors demonstrate the Pop master’s special talent for transforming the ordinary into the extraordinary. The art has been culled from the archives of the Andy Warhol Foundation for the Visual Arts and includes never before published rarities as well as popular prints from Warhol’s heyday. Warhol fans will want to try this book on for size, and will be amused by the dream of fantastically shod feet.
When Andy Warhol first burst onto the artistic stage in the 1960s’, he did so by incorporating images that were firmly embedded in the American psyche. His bright and colorful paintings and serigraphs presented images that were commonplace — a soup can or coke bottle — but were transformed by his technique into artistic icons of popular culture. Warhol was most interested in image and not reality, although one could say that by casting these mass produced commercial images in his own unique style, Warhol was making a comment on the reality of living in a world that was dominated by images from the advertising and entertainment industries. Warhol’s prints are in essence images of images. They are at least once removed, and often several times removed, from reality. His famous prints of Marilyn Monroe and Jackie Kennedy, not to mention countless other celebrities, are based on photographs. As in the case with Marilyn Monroe, many of those photographs are of his subjects posing as a character, not as themselves, a subtle reminder that once someone achieves a certain celebrity status, they become further and further removed from their real selves. How many layers must one remove to finally see the real person depicted in a Warhol print?